The MLA Discussion Group on Comics and Graphic Narratives plans to propose three panels for MLA 2013, to be held in Boston on 3-6 January: Black Studies and Comics New England DIY Comics Graphic Lives in Wartime (co-sponsored with the MLA Division on Autobiography, Biography, and Life Writing) The Call for Papers (CFP) for these panels has closed. The Group has gathered in abstracts for all three topics, and is now in the process of reviewing the abstracts, designing the panels, and submitting final proposals to the MLA Program Committee. We expect to confirm our slate of MLA 2013 programming sometime in June—please watch thisRead More →

The MLA Discussion Group on Comics and Graphic Narratives has extended the deadline for its proposed MLA 2013 session, Black Studies and Comics, to 16 March 2012. We encourage all interested scholars to submit a proposal! … BLACK STUDIES AND COMICS Call for Papers for a proposed panel at the Modern Language Association (MLA) Annual Convention, 3-6 Jan. 2013, in Boston. Sponsored by the MLA Discussion Group on Comics and Graphic Narratives. Submission deadline: 16 March 2012. This proposed panel seeks to explore how the methods of Black Studies may inform comic studies, and vice versa. We hope collaboration between these fields will yield greaterRead More →

Call for Papers for a proposed panel at the Modern Language Association (MLA) Annual Convention, 3-6 Jan. 2013, in Boston. Jointly sponsored by the MLA Division on Autobiography, Biography, and Life Writing and the MLA Discussion Group on Comics and Graphic Narratives. … Comics and warfare are longtime companions. Organized mass violence underlies some of the most famous and enduring works in the form: the Crusades of Prince Valiant, the imperialist campaigns of Norakuro, the anti-imperialist clashes of Asterix, the global conflicts of Steve Canyon and Sgt. Rock, the wartime misadventures of noncombatants like Bécassine, and so many others. The concept of the superhero andRead More →

Call for Papers for a proposed panel at the Modern Language Association (MLA) Annual Convention, 3-6 Jan. 2013, in Boston. Sponsored by the MLA Discussion Group on Comics and Graphic Narratives. … Even as literary culture makes way for e-Readers and iPads, an opposing DIY trend champions the tactile, material qualities of printed books, flouting conventional economic wisdom and celebrating the haptic potential of reading. Indeed one effect of the digital revolution has been to highlight the virtues of pre-digital reading, turning attention to the book as art object and artifact. One expression of this phenomenon is the interest in handmade or limited-edition readable objects,Read More →

Call for Papers for a proposed panel at the Modern Language Association (MLA) Annual Convention, 3-6 Jan. 2013, in Boston. Sponsored by the MLA Discussion Group on Comics and Graphic Narratives. … Since representation is at the heart of graphic narrative in all its forms—including comic strips, comic books, graphic novels, webcomics, and panel cartoons—analyzing comics should be of central importance to scholars of race. To take but a single example, one of the pioneers of the newspaper strip, George Herriman, was a Black Southerner whose work offers subtle and complex commentary on race and color. Herriman—like Homer Plessy a mulatto from New Orleans—produced KrazyRead More →

Preparations are well underway for the 127th Annual MLA Convention, to be held 5-8 January 2012 in Seattle, Washington. We of the Discussion Group on Comics and Graphic Narratives, after a very successful slate of panels at the 2011 convention in Los Angeles, are in the thick of planning for 2012—do check out our Calls for Papers for Seattle: Why Comics Are and Are Not Picture Books (deadline March 12, 2011) The Material History of Spider-Man (deadline March 5, 2011) How Seattle Changed Comics (deadline March 12, 2011) Feel free to post comments to this blog or to email Charles Hatfield @ charles[dot]hatfield[at]gmail[dot]com if youRead More →

How Seattle Changed Comics Call for Papers for a proposed panel at the Modern Language Association (MLA) Annual Convention, 5-8 Jan. 2012, Seattle, Washington. Sponsored by the MLA Discussion Group on Comics and Graphic Narratives. The proposed session would explore how Seattle and its institutions—seminal publisher Fantagraphics; The Comics Journal; independent and minicomix scenes—have transformed contemporary comics and the cultures surrounding it. Discussion: Seattle is arguably the city that has shaped US comics the most over the past thirty years. The influence of independent publisher Fantagraphics is enormous: Fantagraphics has disseminated the work of many of the world’s most famous contemporary cartoonists, discovering and nurturingRead More →

The Material History of Spider-Man: A 50th Anniversary Observance Call for Papers for a panel at the Modern Language Association (MLA) Annual Convention, 5-8 Jan. 2012, Seattle. This panel will be sponsored by the MLA Discussion Group on Comics and Graphic Narratives. To commemorate the 50th anniversary of Spider-Man’s first appearance in Amazing Fantasy #15, this session wishes to examine the histories imbricated in this iconic figure. From his Cold War origins in 1962, to his emergence as a symbol of the counterculture, to his commemoration of indelible moments in 21st-century America (e.g., Amazing Spider-Man #477—the 9/11 issue, or Amazing Spider-Man #583—the Obama issue), Spider-Man’sRead More →

Why Comics Are and Are Not Picture Books NOTE: The deadline for this CFP has been extended to 12 March! Call for Papers for a proposed session at the Modern Language Association (MLA) Annual Convention, 5-8 Jan. 2012, Seattle, Washington. Jointly sponsored by the MLA Children’s Literature Division and the MLA Comics and Graphic Narratives Discussion Group. This panel will explore the possible relationships between comics and picture books, two imagetext genres implicated in children’s literacy learning which, despite overlapping formally and aesthetically, nonetheless stand apart socially and culturally. The potential application of picture book theory to comics, and, conversely, comics theory to picture books,Read More →