Saturday, 7 January
581. Alien Lines: Science Fiction Comics
1:45–3:00 p.m., Grand Ballroom Salon A, Philadelphia Marriott
Program arranged by the forums GS Comics and Graphic Narratives and GS Speculative Fiction
Presiding: Aaron Kashtan, Univ. of North Carolina at Charlotte
1. “Don’t Let Them Touch and Despair You: World Construction in the World of The Wrenchies and It Will All Hurt,” Phoebe Salzman-Cohen, Penn State Univ., University Park
2. “‘This Is How an Idea Becomes Real’: Bodies in Saga,” Daniel John Pinti, Niagara Univ.
3. “‘I’m Getting Too Good to Ignore’: The Feminist Politics of Sharon Ruhdal’s Dystopian Comics,” Margaret Galvan, New York Univ.
4. “Feeling The Puma Blues: The Dilution of Science Fiction and the Decline of the Creator within Independent Comics’ Golden Age,” Keith McCleary, UC San Diego.
Saturday, 7 January
676. Cash Bar Arranged by the Forum GS Comics and Graphic Narratives
7:00–8:15 p.m., Franklin 4, Philadelphia Marriott
Sunday, 8 January
787. Graphic Narrative, Comics, and Temporality
1:45–3:00 p.m., Independence Ballroom Salon III, Philadelphia Marriott
Program arranged by the forum GS Comics and Graphic Narratives
Presiding: Martha B. Kuhlman, Bryant Univ.
1. “Past and Present Colors: Drawing Style as Temporal Framework in Comics,” Rikke Platz Cortsen, Univ. of Texas, Austin
2. “‘Paradise Now’: Messianic Time in the Iranian Graphic Protest Novel,” Charlotta Salmi, Univ. of Birmingham
3. “Drawing the Anthropocene? Intimacy and Antihuman ‘Deep Time,'” Aarnoud Rommens, Univ. of Liege
4. “Reading in the Deep: Time and the Z-Axis in Richard McGuire’s Here and Dan Clowes’s Patience,” Joshua Kopin, Univ. of Texas, Austin
Additional comics-related panels of note:
189. Reading and Seeing Modernism and Graphic Narrative: Form, Medium, Aesthetics
Friday, 6 January, 8:30–9:45 a.m., 111B, Pennsylvania Convention Center
A special session
Presiding: Andrew Hoberek, Univ. of Missouri, Columbia
Speakers:Olivia Badoi, Fordham Univ.; Sheila Liming, Univ. of North Dakota; Ben Novotny Owen, Ohio State Univ., Columbus; John Paul Riquelme, Boston Univ.; Janine M. Utell, Widener Univ.
Responding: David M. Ball, Dickinson Coll.
285. Graphic Queer / Queer Graphics: Seriality and Sexuality in Graphic Form
Friday, 6 January, 12:00 noon–1:15 p.m., Independence Ballroom Salon III, Philadelphia Marriott
Program arranged by the forum TC Sexuality Studies
Presiding: Ramzi Fawaz, Univ. of Wisconsin, Madison
1. “Serial Sex: Intimacy as Method and the Polaroid’s Queer Aesthetic Legacies,” Ricardo Montez, New School
2. “Mapping Danny the Street: Theorizing Trans-temporality with Doom Patrol,” Kadin Henningsen, Univ. of Wisconsin, Madison
3. “The Pornographic Aesthetics of Fluidity in Comix,” Yetta Howard, San Diego State Univ.
4. “Desiring Blackness: A Motivated Reading of the Value of Black Panther,” André Carrington, Drexel Univ.
646. Placing Gender in the Graphic Novel
Saturday, 7 January, 5:15–6:30 p.m., Independence Ballroom Salon III, Philadelphia Marriott
Program arranged by the forum TC Women’s and Gender Studies
Presiding: Pamela Brown, Univ. of Connecticut, Stamford
1. “Cuba My Revolution: Una novela gráfica e histórica para mejor cumplir las políticas del mercado,” Mabel Cuesta, Univ. of Houston, University Park
2. “The Latent Image: Biopolitics and Diegetic Levels in Lila Quintero-Weaver’s Graphic Novel Darkroom: A Memoir in Black and White, in an Aesthetics and Human Rights Course,” Karina Elizabeth Vázquez, Univ. of Richmond
3. “Transnational Bodies and Gendered Representations in Operación Bolívar, by Edgar Clément, and La perdida, by Jessica Abel,” Tania Pérez-Cano, Univ. of Pittsburgh
650. Invisible Made Visible: Comics and Mental Illness
Saturday, 7 January, 5:15–6:30 p.m., Grand Ballroom Salon I, Philadelphia Marriott
A special session
Presiding: Jessica Gross, St. Louis Coll. of Pharmacy; Leah Misemer, Univ. of Wisconsin, Madison
Speakers:Jeanine Ashforth, Univ. of South Florida; Elizabeth J. Donaldson, New York Inst. of Tech., Old Westbury; Keegan Lannon, Dominican Univ.; Claire Latxague, Université Paul Valéry, Montpellier 3
Session Description:
Panelists explore how the visual medium of comics paradoxically explores invisible mental illnesses by depicting internal emotional and mental states. They also consider the historical relation between comics and mental illness and discuss how comics can create communities of people who feel—or are—invisible within society at large.
281. “Leap Tall Buildings in a Single Bound”: Psychoanalysis, Comics, and Architecture
Friday, 6 January, 12:00 noon–1:15 p.m., 112A, Pennsylvania Convention Center
Program arranged by the American Psychoanalytic Association
Presiding: Vera J. Camden, Kent State Univ., Kent
Speakers:Frederik Byrn Køhlert, Univ. of Calgary; Jimenez Lai, Univ. of California, Los Angeles; Nick Sousanis, San Francisco State Univ.; Jon Yoder, Kent State Univ., Kent
Session Description:
Once considered pure pulp, comics now prevail in architecture studios, psychoanalytic institutes, and university classrooms, as well as in myriad public spaces. This session represents architecture, psychoanalysis, educational psychology, and literature to consider the ways that comics “bound” over disciplinary silos to capture buildings, bodies, and minds in lived environments.
27. Getting Religion: Children’s Literature as Sacred Text
Thursday, 5 January, 12:00 noon–1:15 p.m., 111B, Pennsylvania Convention Center
Program arranged by the forums GS Children’s and Young Adult Literature and TC Religion and Literature
Presiding: Lisa M. Gordis, Barnard Coll.; Karin E. Westman, Kansas State Univ.
1. “Intertwining Histories: Catechisms and the Emergence of Eighteenth-Century Children’s Literature,” Gabrielle Owen, Univ. of Nebraska, Lincoln
2. “Christian Science Children’s Fiction, 1900–10,” Anne Stiles, St. Louis Univ.
3. “Nazi Children’s Literature and the Formation of the Holy Reich,” Michael Lackey, Univ. of Minnesota, Morris
4. “Characterizing Religion: The Lives and Afterlives of Stock Religious Characters in Japanese Picturebooks from the 1950s to the Present,” Heather Blair, Indiana Univ., Bloomington
210. Graphic Narratives
Friday, 6 January, 8:30–9:45 a.m., 410, Philadelphia Marriott
Program arranged by the forum LLC Luso-Brazilian
Presiding: Cesar Braga-Pinto, Northwestern Univ.
1. “Superbacana: Songs, Graphic Narratives, and Social Tension in the Late 1960s in Brazil,” Carlos Pires, Universidade de São Paulo
2. “Comics Poetry and Poema/Processo,” Jonathan R. Bass, Rutgers Univ., New Brunswick
3. “Brazilian Quadrinistas and the Franco-Belgian Market of Science Fiction and Fantasy Graphic Novels: A Marriage of Convenience,” Henri-Simon Blanc-Hoang, Defense Language Inst.
4. “Graphic Spaces of Rights,” Leila Maria Lehnen, Univ. of New Mexico, Albuquerque
282. “I Die Daily”: Police Brutality, Black Bodies, and the Force of Children’s Literature
Friday, 6 January, 12:00 noon–1:15 p.m., 106B, Pennsylvania Convention Center
Program arranged by the Children’s Literature Association
Presiding: Michelle Hite, Spelman Coll.
1. “Postracial, but Not Postracism: The Romanticization of the Plantation South and the Whitewashing of History in Raina Telgemeier’s Drama,” Michelle Ann Abate, Ohio State Univ., Columbus
2. “The Promise and Challenge of History: Reckoning with Racism in Out of Darkness,” Ashley Pérez, Ohio State Univ., Columbus
3. “Runoff: Young African Americans with Disabilities in Landscapes of Sacrifice,” Elizabeth Anne Wheeler, Univ. of Oregon
4. “Brown Girls Dreaming: Violence, Narrative, and the Politics of the Interior,” Samira Abdur-Rahman, Univ. of Rochester
353. What Next? Adventures in Episodic and Serial Form
Friday, 6 January, 3:30–4:45 p.m., Franklin 11, Philadelphia Marriott
A special session
Presiding: Katherine Fusco, Univ. of Nevada, Reno
Speakers:Jacquelyn Ardam, Colby Coll.; Katherine Fusco; Donal Harris, Univ. of Memphis; Andrew Hoberek, Univ. of Missouri, Columbia; Heather A. Love, Univ. of South Dakota; Carter Neal, Indiana Univ., Bloomington
Responding: David M. Ball, Dickinson Coll.
Session Description:
The presentations query how historical moments give rise to the episodic or serial forms they need (or deserve?). With topics including modernist drama, Dada art exhibitions, children’s films, comic books, and the realist novel, the panelists use a PechaKucha format of automatically advancing slides—an innovative style fitting for a session on series and episodes.
475. Graphic Style and Big Data
Saturday, 7 January, 10:15–11:30 a.m., 104A, Pennsylvania Convention Center
Program arranged by the forum LLC 20th- and 21st-Century American
Presiding: Amy Hungerford, Yale Univ.
1. “Illusions of Progress: Visualization and the Politics of Stylized Time,” Ed Finn, Arizona State Univ.
2. “Excavating the Present: Richard McGuire’s Here and the Wayback Machine,” Alexander Manshel, Stanford Univ.
3. “Chris Ware and R. Crumb: From Data to Disgust,” Rebecca Clark, Univ. of California, Berkeley
4. “The Visual Universalism of Bing Xu’s Book from the Ground,” Lee Konstantinou, Univ. of Maryland, College Park
524. The Life of the Child’s Mind: Rethinking Education and Intellect in Literature for Young People
Saturday, 7 January, 12:00 noon–1:15 p.m., 106B, Pennsylvania Convention Center
Program arranged by the Children’s Literature Association
Presiding: David Aitchison, North Central Coll.
1. “Adolescent Fiction as a Boundary Condition: Exploring the Meaning of Reading in a Transitional Genre,” Elisabeth Rose Gruner, Univ. of Richmond
2. “Smart Equals Queer: The Intellectual Child in Sex Is a Funny Word,” Gabrielle Owen, Univ. of Nebraska, Lincoln
3. “Unbounded Time, Unbounded Intellect: A Teenage ‘Song of Myself’ in John Green’s Paper Towns,” Susan Leary, Univ. of Miami